Wide-angle lenses are often overlooked when it comes to photography, but they can be a great addition to your kit. Here are 7 of the best wide-angle lenses for Panasonic and Olympus cameras.
The best olympus lenses for travel is a list of the top 7 best wide-angle lenses for Panasonic and Olympus cameras.
A wide-angle lens is required if you wish to snap a photograph or record video in a confined space or at a close distance from your subject.
You’ll also need these lenses if you want to hold the camera and film yourself “selfie-style.”
In other words, since they’re typically smaller than telephoto lenses, they’re ideal for vlogging and touring.
They may be used with any micro four-thirds camera, not only Panasonic and Olympus (more on that below).
Here are our top three wide-angle lenses for Panasonic, Olympus, and any other Micro Four Thirds camera, without further ado:
Let’s not get ahead of ourselves, however.
You’ll find some key information below to help you decide which is the best option for you. Following that, we’ll provide you with some more options that we’ve observed are very appealing right now.
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Considerations for Micro Four Thirds Focal Length
Panasonic and Olympus both produce cameras with Micro Four-Thirds sensors, allowing them to use the same lenses.
Pay care if you’ve never dealt with micro 4/3 lenses before:
You may be acquainted with APS-C sensors if you’ve used cameras from other manufacturers like Canon or Nikon.
I just wanted to point out that lenses with these two kinds of sensors (Micro 4/3 and APS-C) appear different.
What I mean is that a 25mm lens on a Canon APS-C sensor won’t have the same “zoom” as a Panasonic Micro 4/3 camera’s 25mm lens.
The size of these sensors varies (and crop factors). Micro 4/3 cameras seem to be more “zoomed in” than APS-C cameras.
Here’s an example of what you’d get with the same focal length (say, 50mm) and multiple sensors of various sizes:
This implies that a lens of a micro four thirds brand—such as Panasonic and Olympus—must be less than 20mm to be called “wide-angle.”
Lenses for APS-C cameras — Canon and Nikon — on the other hand, may be called wide-angle up to approximately 24mm, in my opinion.
As a result, I’ll only suggest micro 4/3s lenses with focal lengths less than 20mm.
How to Select the Most Appropriate Wide-Angle Lens for Your Needs
Let’s look at how to choose the best one for your requirements.
What is a “f/ number” and how can you select the one that is appropriate for you?
The maximum aperture of each lens is indicated by the f-number on the lens’s name. The higher the aperture, the lower the f-number.
The more light the lens can take in, the greater the aperture.
When photographing in low-light situations, this helps you prevent fuzzy pictures.
To put it another way, more light means greater picture quality and clarity.
In this case, we might say:
The lower the f-number, the better the picture quality.
As a result, get the lens with the lowest f-number you can.
Is OIS (Optical Image Stabilization) available?
In-body stabilization is now standard on most Panasonic and Olympus cameras. As a result, you shouldn’t need an OIS lens for them most of the time.
However, before purchasing a lens without OIS, make sure your model has stabilization. Otherwise, you’ll end up with wobbly video and poor stills in low-light situations.
However, since it’s difficult to locate a wide-angle lens with image stabilization, most models won’t have it.
Is autofocus audible?
Some lenses have noisy autofocus motors, which may be picked up by the microphone while being recorded. As a result, you should only utilize quiet lenses.
They’re also excellent for wildlife photography since they don’t frighten animals.
Dimensions and weight
Zoom lenses are bigger and heavier than regular lenses.
Investing in a prime, non-zoom lens will offer you more bang for your buck and make it simpler to transport.
For example, if you want a lens for vlogging, you must consider the lens’ weight. You don’t want a big lens that makes your arms tired after two minutes of holding it.
Which is better: a zoom or a prime lens?
Some of the lenses on this list do not have zoom capabilities.
These are typically the quickest and highest-quality lenses available at the lowest price.
So, if you don’t think you’ll need the zoom, go with a non-zoom lens (also called prime lenses).
They will provide you with the greatest value for your money:
Wide-Angle Prime Lenses at Their Finest
These lenses work with all Panasonic cameras, including the GH5, GH4, G95, G80, G85, G9, and G7, as well as any other camera having a Micro Four Thirds sensor, including those from other manufacturers.
Panasonic LUMIX G DG SUMMILUX Lens, 15mm, F1.7 ASPH Panasonic LUMIX G DG SUMMILUX Lens, 15mm, F1.7 ASPH Panasonic LUMIX G
Stabilization: No | Silent motor: Yes | Autofocus: Yes | Weight: 1.06 oz
If you have the financial means, you should invest in a fast lens that will enable you to operate in low-light conditions and produce clearer pictures.
This lens is also one of the lightest on the list (not the lightest, though). Without a doubt, one of our favorites.
Olympus M.Zuiko Digital ED 12mm F2.0 Lens – Best for Vlogging
Stabilization: No | Silent motor: Yes | Autofocus: Yes | Weight: 4.6 oz
Because 12mm is my preferred focal length for vlogging, I adore this model because it’s quick and crisp due to the f/2.0 aperture.
I’m certain you’ll be pleased with the results if you pair this lens with one of the finest cameras for vlogging.
The disadvantage is that it isn’t the lightest lens, but it’s still manageable. Nonetheless, for vlogging, this is the best lens you can buy. Look at the second option below for a lighter alternative.
Panasonic LUMIX G II Lens, 14mm, F2.5 ASPH Panasonic LUMIX G II Lens, 14mm, F2.5 ASPH Panasonic LUMIX G II
Stabilization: No | Silent motor: Yes | Autofocus: Yes | Weight: 0.32 ounces
If you’re searching for the smallest lens you can take about, this is it. There isn’t a smaller or lighter model on the market, and the autofocus is quick and quiet.
It’s our second favorite camera for vlogging because it has a wide enough field of view to film oneself with a handheld tripod while still leaving room for the environment.
Olympus M.Zuiko Digital 17mm F1.8 Olympus M.Zuiko Digital 17mm F1.8 Olympus M.Z
Stabilization: No | Silent motor: Yes | Autofocus: Yes | Weight: 4.23 oz
The size, weight, and video-friendly characteristics of this prime lens are all great.
The autofocus motor is quiet and quick, and the lens is much lighter than any zoom lens.
Also, Olympus cameras do not have a manual aperture ring; instead, you must adjust the aperture from the camera.
Sigma 16mm F1.4 DC DN Sigma 16mm F1.4 DC DN Sigma 16mm F1.4 DC
Stabilization: No | Silent motor: Yes | Autofocus: Yes | Weight: 14.2 oz
This is the fastest prime lens, but it is also the largest and heaviest. Its f/1.4 aperture makes it ideal for low-light situations.
This is particularly true for tiny four thirds sensors, which struggle in low light more than bigger sensors.
If you want to photograph at night from behind the camera, this is definitely the finest prime lens for you.
The Panasonic Leica DG Summilux 12mm F/1.4 ASPH is another f/1.4 wide-angle lens worth knowing about.
It’s a great wide-angle lens that’s also quick. Most people, however, will not purchase it since it is too costly for a lens that does not zoom. That’s why we chose the Sigma 16mm, which is more inexpensive.
Wide-angle Zoom Lenses with the Best Zoom
Olympus M.Zuiko Digital ED 7-14mm F2.8 Olympus M.Zuiko Digital ED 7-14mm F2.8 Olympus M.Z
Stabilization: No | Silent motor: Yes | Autofocus: Yes | Weight: 1.18 lbs
This Olympus lens should be your first choice if you need a zoom wide-angle lens (if money is not a problem, of course).
Because it has a constant F2.8 aperture, it provides a somewhat variable focal length range for wide-angle photography without compromising low-light performance.
It costs more than others since it has a manual focus clutch, which enables you to manually change the focus while utilizing the autofocus.
The PANASONIC LUMIX Professional 8-18mm Camera Lens is a somewhat less expensive alternative to this lens. Keep in mind, though, that this one does not have a continuous f2.8 aperture.
PANASONIC LUMIX Professional 12-35mm G X VARIO II, F2.8 ASPH, Dual I.S. 2.0 PANASONIC LUMIX Professional 12-35mm G X VARIO II, F2.8 ASPH, Dual I.S. 2.0
1 pound in weight | Dual I.S. stabilization | Silent motor: Yes | Autofocus: Yes
If you don’t require the manual clutch, you may save money by purchasing this constant F2.8 aperture, Dual I.S-compatible lens.
This latter function enables you to utilize both the camera’s and the lens’ stabilization at the same time. This gives you the greatest stability without having to use a gimbal.
However, only compatible cameras, such as the GH5 and G9, can utilize the Dual IS function.
Even if you don’t have a Dual I.S. camera, you may utilize this lens flexible zoom to move from wide-angle to telephoto at a reasonable price.
Keep in mind that these lenses are compatible with any contemporary camera that has a Micro 4/3 lens, not only Panasonic and Olympus.
Because of the tiny sensor, these cameras typically have a lot of zoom, thus wide-angle lenses are common.
The lenses discussed in this article are among the year’s most popular options. We have provided some more options for those with more specialized requirements.
Check out our post on the best vlogging lenses to learn more about telephoto lenses. More lenses with a focal length of 35-45mm are available. They’re not the greatest for vlogging if you’re holding the camera, but if you have enough room to put the camera on a tripod, they’re better choices.
The best mft lenses for video is a top 7 list of wide-angle lenses. Panasonic and Olympus are the two brands that are mentioned in this article.
Frequently Asked Questions
Can you use Panasonic lenses on Olympus?
Panasonic lenses are compatible with Olympus cameras.
What lens has the widest of wide angle views?
The widest angle lens has a focal length of 16mm.
Which lens is good for wide angle?
The fisheye lens is a good option for wide angle.
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